This issue of Études britanniques contemporaines offers a selection of papers given during the SEAC-Journal of the Short Story in English workshop organised during the June 2024 SAES conference at the Université de Lorraine. We would like to express our gratitude to the organisers of the workshop and of the conference.
- Borders
- Vanessa Guignery Borders/Bordering
- Xavier Le Brun Of Moths and Motor Cars: Vital Circulation and the ‘Meeting-Text’ in Virginia Woolf’s ‘The Death of the Moth’ and ‘Evening over Sussex’ « Des phalènes et des automobiles : Circulation vitale et “texte-rencontre” dans “The Death of the Moth” et “Evening over Sussex” de Virginia Woolf »
- Florence Marie Bypassing Literary Boundaries; Displacing the Reader: Olive Moore’s The Apple is Bitten Again (1934) Dynamiter les frontières littéraires ; déloger le lecteur : The Apple Is Bitten Again (1934) d’Olive Moore
- Myrto Petsota Geopoetic Satire in Will Self’s Walking to Hollywood: Re-writing the Borders of Modernity Satire géopoétique dans Walking to Hollywood de Will Self : Réécriture des frontières de la modernité
- Katia Marcellin Mapping the Borders of Language in Jon McGregor’s Lean Fall Stand Explorer les frontières du langage dans Lean Fall Stand de Jon McGregor
- Héloïse Lecomte Moving through Borders: Ghosts of the Troubles in Jan Carson’s The Fire Starters (2019) and The Last Resort (2021) Passer entre les frontières : fantômes du conflit nord-irlandais dans The Fire Starters (2019) et The Last Resort (2021) de Jan Carson
- Lisa Bertucco « If I was you — I’d be well glad I weren’t me » : stratégies politiques de déplacement dans salt. de Selina Thompson (2017) et stoning mary de debbie tucker green (2005) ‘If I was you – I’d be well glad I weren’t me’: Shifting Frontiers as a Political Strategy in Selina Thompson’s salt. (2017) and debbie tucker green’s stoning mary (2005)
- Hors thème
- James Dalrymple Regionality, Grotesque Realism and Nostalgia in Dennis Potter’s Blue Remembered Hills Régionalisme, réalisme grotesque et nostalgie dans Blue Remembered Hillsde Dennis Potter
- Christophe Brochier Opposition de classe et cycle de vie dans l’œuvre d’Alan Sillitoe et ses adaptations au cinéma Class Opposition and Life Cycle in Alan Sillitoe’s Works and its Film Adaptations
- Trajanka Kortova Jovanovska Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte La subjectivité auctoriale dans Fury et Quichotte de Salman Rushdie
- Virginia Woolf and the Writing of History
- Anne Besnault, Anne-Marie Smith-Di Biasio and Marie Laniel ‘Virginia Woolf and the Writing of History’ —Introduction
- Olivier Hercend The Common Historian: on the Praxis of Reading the Past in Virginia Woolf’s The Common Reader The Common Historian : Praxis de la lecture du passé dans The Common Historian de Virginia Woolf
- Jane de Gay The Past, the Present and the Lessons of History: Virginia Woolf’s Feminist Historiographical Method in Three Guineas Le passé, le présent et les leçons de l’histoire : La méthode historiographique féministe de Virginia Woolf dans Three Guineas
- Valérie FavreFrom Women’s History to Gender History: Rethinking (Literary) History with Virginia Woolf’s A Room of One’s Own De l’histoire des femmes à l’histoire du genre : Repenser l’histoire (littéraire) avec A Room of One’s Own de Virginia Woolf
- Adèle Cassigneul History Breaks Down into Images: Virginia Woolf’s Monk’s House Albums L’histoire se décompose en images : Les albums Monk’s House de Virginia Woolf
- Seamus O’Malley ‘The People’ of Virginia Woolf: Populism and Tradition « Le peuple » de Virginia Woolf : populisme et tradition
- Catherine Bernard ‘The imagination is largely the child of the flesh’: Virginia Woolf’s Embodied Historicity « The imagination is largely the child of the flesh » : l’historicité incarnée de Virginia Woolf
- Comptes rendus/Review
- Shirley Bricout Modernism and the Aristocracy: Monsters of English Privilege, Adam Parkes Oxford: OUP, 2023 (326 p.)
- Laurent Quero Mellet The Reader in Modernist Fiction, Brian Richardson Edinburgh: EUP, 2024 (216 p.)
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