SEAC

Société d'Etudes Anglaises Contemporaines

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CFP: Caryl Phillips, Crossing the River: “the many-tongued chorus”

Call for Papers Caryl Phillips, Crossing the River: “the many-tongued chorus” Ecole Normale Supérieure de Lyon 6-7 October 2016 Deadline for proposals: 30 June 2016 Website:http://conferences.vanessaguignery.com This international conference seeks to offer new perspectives on Caryl Phillips’s fifth novel Crossing… Continue Reading →

Congrès de la SAES. Lyon, 2-4 juin 2016. Atelier SEAC/Nouvelle

Résumés : Atelier n°5 : Société d’Études Anglaises Contemporaines (SEAC) / La nouvelle de langue anglaise (Journal of the Short Story in English) Congrès de la SAES. Lyon, 2-4 juin 2016. Responsables : Catherine BERNARD, Université Paris Diderot — Paris… Continue Reading →

Ethics of Alterity, Confrontation and Responsibility in 19th- to 21st-Century British Arts

Ethics of Alterity, Confrontation and Responsibility in 19th- to 21st-Century British Arts Jean-Michel Ganteau, Christine Reynier Collection « Present Perfect » Various art forms inscribe, program or perform the preference of relationship. In so doing, they put otherness high on their aesthetic… Continue Reading →

EBC 49 – State of Britain

 State of Britain Colloque de la SÉAC, Université Paris-Diderot, octobre 2014 Sous la direction de  Catherine Bernard The articles collected in this volume developed from oral presentations originally delivered during the SEAC conference hosted the University Denis-Diderot, Paris and convened by Catherine… Continue Reading →

Call for Papers: Modernity & the European Mind: Writing the Past, Constructing Identities, University of Portsmouth / Thursday, 16th June & Friday, 17th June 2016

Call for Papers: Modernity & the European Mind: Writing the Past, Constructing Identities. A two-day international symposium hosted by the Centre for Studies in Literature at the University of Portsmouth. Thursday, 16th June & Friday, 17th June 2016   In… Continue Reading →

Call for papers Annual Conference – University Paul-Valéry Montpellier 3 / 21-22 October 2016

Keynote speaker: Stephen Ross (University of Victoria, BC, Canada) In the wake of the 2014 autumn conference of the SEAC (“State of Britain”) and building up on the findings of the 2015 LOL conference and particularly its developments on satire,… Continue Reading →

E.M. Forster’s legacy: “Only connect” over a century of British arts

                      E.M. Forster’s legacy: “Only connect” over a century of British arts     University Toulouse Jean Jaurès (France) Research team CAS (EA 801) Convened by Pr Laurent MELLET and Dr Elsa CAVALIÉ 10 and 11 December 2015… Continue Reading →

CFP: VIRGINIA WOOLF AND IMAGES: BECOMING PHOTOGRAPHIC

Call for Papers VIRGINIA WOOLF AND IMAGES: BECOMING PHOTOGRAPHIC SEW International Conference, 30 juin-1er juillet 2016, Université de Toulouse 2 Organisation: Scientific Committe: Confirmed Guest Speaker: Deadline for submission: Contact: Adèle CASSIGNEUL (Bordeaux 2 University/CAS EA 801) with Christine REYNIER… Continue Reading →

Annual Conference of the Société d’Études Anglaises Contemporaines (SEAC)

ENS de Lyon, 15-16 October 2015 LOL! Comedy, Humour and Satire in the Literature and Visual Arts of the 20th and 21st Centuries in Britain with JONATHAN COE Websites: http://lol.ens-lyon.fr/ http://ensconferences.vanessaguignery.com Thursday 15th October 2015 08.45: Registration 09.00: Welcome address by… Continue Reading →

EBC: first issues

The first 15 issues of Etudes Britanniques Contemporaines may still be found online here.

ESSE Conference in Galway, Ireland: Seminar

Seminar Monday 22 August – Friday 26 August 2016.  http://www.essenglish.org/ Modernist Non-fictional Narratives of Modernism   The aim of the seminar will be to focus on the non-fictional writings – essays, diaries, letters, etc. – of the modernist period by… Continue Reading →

EBC 48 – Crossing into Otherness—Outlanding Woolf

Ce numéro d’Études britanniques contemporaines se compose exceptionnellement de deux sections tout à la fois distinctes et reliées thématiquement. La première section — ‘Crossing into Otherness’ — prend pour sujet la poétique de la traversée dans la littérature anglaise contemporaine, pour y analyser… Continue Reading →

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