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Ways of Picturing, Thinking and Telling Our Time: Fifty Years of Seeing with John Berger Scroll down for French version. Call for Papers International Conference, October 20th-21st, 2022. With a keynote lecture by Tom Overton. 2022 marks the 50thanniversary… Continue Reading →
Atelier 5 : Société d’Études Anglaises Contemporaines / La Nouvelle de langue anglaise Responsables de l’atelier : Vanessa Guignery (École Normale Supérieure de Lyon) et Gérald Preher (Université d’Artois) Jeudi 2 juin 13h30 – Clémence Laburthe-Tolra (Université Paul Valéry – Montpellier 3) Fractured Landscape, Divided Society,… Continue Reading →
Modernism and Matter 13-14 October 2022 Université Paul-Valéry Montpellier3 An International workshop organised by EMMA (Université Paul-Valéry Montpellier3) in collaboration with CIRPaLL (Université d’Angers) This workshop on modernism and matter is an incentive to interrogate the meaning of matter, and… Continue Reading →
Alice Borrego et Héloïse Lecomte Introduction: Invisible Lives, Silent Voices in the British Literature, Arts and Culture of the 20th and 21st Centuries [Texte intégral] Exposing Processes of Invisibilisation and Silencing Guillaume Le Blanc To be is to be perceived, not to be is not to be… Continue Reading →
————————— Congrès de la SAES. Université de Clermont-Auvergne – 2 au 4 juin 2022. « Failles » / « Faults and Fault Lines » Atelier 5 : Société d’Études Anglaises Contemporaines (SEAC) / La Nouvelle de langue anglaise In Salman Rushdie’s The Ground Beneath Her Feet,… Continue Reading →
SEAC Conference: ‘Disrupting’ the City: Urban Cris(e)s in Contemporary British Literature and Art Avignon Université, 14-15 October 2021 Salle 0E32 – Campus Centre ville Convened by Elsa Cavalié& Justine Gonneaud (Avignon Université / ICTT) THURSDAY 14 OCTOBER Morning Session 9am Welcome 9.15 – 9.30 Conference… Continue Reading →
Congrès de la SAES, université de Tours, 3-5 juin 2021 « Renaissance(s) » Atelier conjoint de la Société d’Études Anglaises Contemporaines (SEAC) / La nouvelle de langue anglaise (Journal of the Short Story in English). Convenors : Catherine Bernard, université de Paris : catherine.bernard@u-paris.fr Gerald… Continue Reading →
https://journals.openedition.org/ebc/ Jean-Michel Ganteau: Introduction [Texte intégral] Maryam Thirriard: Virginia Woolf, Lytton Strachey, Harold Nicolson and the Aesthetics of the Subject in the New Biography [Texte intégral] Tim Gupwell: Pluralists and Pantheists: Spinoza, Deleuze and the non-fiction of D.H. Lawrence [Texte… Continue Reading →
Reading Ian McEwan’s Mature Fiction: New Critical Approaches Dir. Armelle Parey et Isabelle Roblin, Book Practices and Textual Itineraries 13. PU de Nancy-Editions Universitaires de Lorraine. 2020. Les articles réunis dans ce volume proposent un point de vue actualisé sur la production littéraire… Continue Reading →
The Edinburgh Companion to D. H. Lawrence and the Arts, eds. Catherine Brown and Susan Reid (Edinburgh: Edinburgh University Press, 2020) This book is a stimulating addition to the series The Edinburgh Companions to X and the Arts. Its twenty-eight specially… Continue Reading →
Transnational Jean Rhys. Ed. Juliana Lopoukhine, Frédéric Regard et Kerry-Jane Wallart New York, Bloomsbury, 2021 https://www.bloomsbury.com/us/transnational-jean-rhys-9781501361319/ This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences,… Continue Reading →