Société d'Etudes Anglaises Contemporaines

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EBC 61 – Invisible Lives, Silent Voices

Alice Borrego et Héloïse Lecomte Introduction: Invisible Lives, Silent Voices in the British Literature, Arts and Culture of the 20th and 21st Centuries [Texte intégral]  Exposing Processes of Invisibilisation and Silencing Guillaume Le Blanc To be is to be perceived, not to be is not to be… Continue Reading →

CFP Congrès de la SAES 2022

————————— Congrès de la SAES. Université de Clermont-Auvergne – 2 au 4 juin 2022.  « Failles » / « Faults and Fault Lines » Atelier 5 : Société d’Études Anglaises Contemporaines (SEAC) / La Nouvelle de langue anglaise  In Salman Rushdie’s The Ground Beneath Her Feet,… Continue Reading →

SEAC 2021 conference – Avignon Université

SEAC Conference: ‘Disrupting’ the City: Urban Cris(e)s in Contemporary British Literature and Art Avignon Université, 14-15 October 2021 Salle 0E32 – Campus Centre ville Convened by Elsa Cavalié& Justine Gonneaud (Avignon Université / ICTT) THURSDAY 14 OCTOBER  Morning Session 9am     Welcome 9.15 – 9.30     Conference… Continue Reading →

Atelier SEAC/Nouvelle: Congrès SAES

Congrès de la SAES, université de Tours, 3-5 juin 2021 « Renaissance(s) » Atelier conjoint de la Société d’Études Anglaises Contemporaines (SEAC) / La nouvelle de langue anglaise (Journal of the Short Story in English). Convenors :  Catherine Bernard, université de Paris : Gerald… Continue Reading →

EBC 60: Numéro spécial « Jeunes chercheurs » Jean-Michel Ganteau: Introduction [Texte intégral] Maryam Thirriard: Virginia Woolf, Lytton Strachey, Harold Nicolson and the Aesthetics of the Subject in the New Biography [Texte intégral] Tim Gupwell: Pluralists and Pantheists: Spinoza, Deleuze and the non-fiction of D.H. Lawrence [Texte… Continue Reading →

PUB: Reading Ian McEwan’s Mature Fiction: New Critical Approaches

Reading Ian McEwan’s Mature Fiction: New Critical Approaches Dir. Armelle Parey et Isabelle Roblin, Book Practices and Textual Itineraries 13. PU de Nancy-Editions Universitaires de Lorraine. 2020. Les articles réunis dans ce volume proposent un point de vue actualisé sur la production littéraire… Continue Reading →

CFP: Short Fiction in Theory and Practice

The Edinburgh Companion to D. H. Lawrence and the Arts

The Edinburgh Companion to D. H. Lawrence and the Arts, eds. Catherine Brown and Susan Reid (Edinburgh: Edinburgh University Press, 2020) This book is a stimulating addition to the series The Edinburgh Companions to X and the Arts. Its twenty-eight specially… Continue Reading →

Transnational Jean Rhys

Transnational Jean Rhys.  Ed. Juliana Lopoukhine, Frédéric Regard et Kerry-Jane Wallart New York, Bloomsbury, 2021 This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences,… Continue Reading →

Webinaire « Our Extended Bodies, Ourselves »

PROGRAMME Webinar #1. November 27th, 2020. 2.30-3.15 CET. Welcome address and introduction. Dr. Diane Leblond, University of Lorraine. FromFrankenstein (1818) to Frankissstein (2019). Where is humanity going? 3.15-4.30 CET. Testing the limits of what is ‘human.’ What machines do to us, or what we do to… Continue Reading →

CFA: Translating, Rewriting, Recreating the Middle Ages in our time

Call for articles to be published in Palimpsestes 36 ( The last twenty years have seen a renewed interest in the canonical works of the Middle Ages: Sir Gawain and the Green Knight, for instance, was translated four times at least in-between 2002… Continue Reading →

Études britanniques contemporaines 58 Literature’s Exception(s), Howards End, New Perspectives on Woolf’s Resistance to Feminism Literature’s Exception(s) Editor : Catherine Bernard Catherine Bernard : Introduction Alice Borrego: ‘Against the Norm: Exception as a Disruptive Force in Rebecca West’s The Return of the Soldier… Continue Reading →

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